Showing posts with label patchisaurs. Show all posts
Showing posts with label patchisaurs. Show all posts

Sunday, December 31, 2023

Legion of Silly Dinosaurs: Giant patchisaurs!!!

 

So it's the last night of the year, and I've gone two months without a blog post, and you might think I would just bow out, but I decided it wasn't too late for a dino blog. It just happens I have something very special I've been sitting on, two specimens of the patchisaurs that started this whole thing. To dive right in, here's possibly the first patchi whose origin is entirely accounted for!




So, for the backstory, I have been seeing unusually large patchisaurs for quite a while now, and finally decided to sample a few. This particular guy came in a pair with a smallish generic rubber dragon creature pictured above, clearly an extra-large version of a patchi with whiskers or mandibles believed to have inspired the Dungeons And Dragons Umberhulk. This is a true hulk indeed, well over 4 inches tall. Soon after I got it, I ran down a lead at a blog called Fantasy Toy Soldiers which confirmed that the small price I paid was almost certainly too much. As it turns out, this was made for a playset laughably called Medieval Times from a company with the only slightly less questionable name Awesome Kids, from what I can tell sometime after 2000. Complete sets, which I found for under $30, contain 4 of these. So where did they come from? Did someone simply copy and enlarge the patchisaur? Did they find original molds to work from? Or did someone actually unearth a vintage patchisaur that even the people who actually had the owlbear had forgotten about? As usual, the chances of an answer are less than zero, but at least, for once, we have a name and a date that is within a decade. Now, behold the glory of the hulk, newish and old!

"I once ate a bus that was this big..."

And here is the other, a big version of one I've come to call Flattop, as it turns out not so flat. This is also featured on the linked blog, though that dedicated thing-finder knew no better than I where it came from or who made it. One marginally useful clue is that it bears a script of Hong Kong, which means it must have been made before China took the island back. The further patina and overall look seem about right for the 1970s or '80s at the latest, so it just might be from the people who made the originals. If it wasn't, there's enough additional detail to suggest a source better than the usual 1980s/ '90s copies. He's a modest size, probably 3 1/2 inches, but pretty bulky. Here's pics of the big guy and the original.

Ask not what they were smoking. Ask what they were NOT smoking.



So, how many more of these are there? I saw a specimen for sale of the semi-sane rhino-lizard, featured on the blog, made maybe twice or maybe only half again the size of the one I have. There are also pics of the Rust Monster in two sizes, though as far as I can tell the one I have from back when is in fact one of the "big" ones. I could also swear that a while ago I saw the chupacabra-creature in a spectacular size, but I don't seem to have saved any pics to prove it. I have confirmed and been amazed to see old versions of that malign little beast with a full array of spines on his back. They look more solid, but they do not appear substantially larger as such. I will probably get one sooner or later, and I just might find a large version again. In the meantime, let's wind this up with a pic with Sidekick Carl. I said that guy is big!


So that's it for another year. It's been good to take a break, but I'm definitely not ready to call it quits yet. As always, it's the dinos that keep me coming back, and at this rate, I'll be seeing the patchisaurs waiting for me at The Furthest Shore. And heck, here's another of the dragon creature!

That's all for now, more to come!




Sunday, October 22, 2023

Fiction: The Adventures of Princess Sarah, Part 2!

Filling out another week while it's still the weekend, didn't have anything better to work with than a second chapter of the adventure of Princess Sarah, the spin-off to my retro gaming parody novel (which I just dumped on a free platform I probably should have been using all along). This has what's already my best gag, and as a bonus, I worked in the original owlbears!

Sarah’s first sensation was falling. The next was landing on her face. She skinned her knees in gravel, and one of her teeth came out against the rock. She started to cry, before she remembered she was a big girl now. She raised her head, and found Prince Robert looking down at her, his frog pack on his back and his beloved toy Frog Frog in hand.

“Sarah fall down,” he said. “Sarah ow ow?”

“Oh,” said a distant, murmuring voice, “look at them!”

“Oh, don’t talk like a baby,” Sarah said. She scrambled to her feet, briefly looking left and right. There was another murmur, as if one voice pressed another to be silent. They were in what was clearly a streambed, empty but still damp. Her River Cow bag had landed in a murky puddle beside her. She snatched it up and absentmindedly used her skirt to wipe it off. “Oh, poor Missus Cow… I mean, I hope it’s not wet.” She reached into an outer pouch and pulled out a jar of salve. Robert helped rub it on her knees.

“Ooh,” came the distant voice. “Look, the little one’s helping the big one!” The other voice rumbled louder than before.

“Well,” Sarah said, “we must have opened a magic door. Father said that was how he met Mother.” She smiled at Robert. “It will be an adventure, just like in the Guidebook! Ooh! I hope it didn’t get wet!”

She pulled out the book, and sighed in relief to find it dry. Indeed, she could feel no dampness at all on the inside of the bag. That was because it was, in fact, lined with real Water Cow hide, something Mother and Father had so far neglected to explain. She half-spoke the table of contents: Cartography, Topography, Geology, Botany, Zoology, Ethnography, Diplomacy, Polity. She flipped to the second chapter, then the third.

“`In your surroundings, you can see the past, present and future,`” she read. “`If there is a clamshell in desert sand, then it must once have been an ocean. If there is a tree or the cornerstone of a house still rooted in a riverbank, it must once have been dry ground. If there are stones that look round and smooth, then they must have been worn down by slow and gentle currents water or other elements. If there is gravel and large stones with sharp edges, then stronger forces may be in effect…’”

She looked up and down the channel. There were indeed a number of angular rocks. Then, half-buried in the gravel, there was the keel of a capsized boat. “Oh, dear,” she said. “`…If you see evidence of floods or falls of rock, vacate to higher ground as quickly as possible.’”

“Frog,” Robert said. He pointed to a purple toad with oddly long legs. It was struggling to climb up the steep edge of the bank, without appreciable success.

They quickly scrambled up the streambed. “Aren’t they adorable?” said the distant voice. “I just want to hold them! Those packs! Aww, look at the little boots! Really, can’t we help them?”

“Now, now,” came the lower voice. “We can’t interfere. Besides, if they have our smell, their parents may not take them back…”

 

They reached a hilltop where a tree grew from an outcropping. Sarah declared they would have lunch. She poured them each a glass out of Dink. She took out a safety knife and cut up the roll. She tried spreading the pomegranate jelly on a small piece, but she spat it out as soon as she tasted it with the hard and sour bread. Instead, she cut up the cheese and half of the sausage and served them on the bread. “`A lady in the wilderness should encourage the gentlemen with food prepared well and served with aesthetics and good cheer,’” she recited from memory. She offered the stacked slices to Robert.

“Frog,” he said. He opened Frog Frog, and the purple toad hopped out.

“Robert, Mummy and Mother told you, you can’t take anything real for your collection,” Sara said. The Prince offered a crumb of the bread to the creature, which showed no interest.

“Help frog,” he said. He tried again with a sliver of sausage, which the toad swallowed.

“Oh, he is kind!” cooed the voice. “And so brave!”

As the Princess and Prince ate, the sky grew overcast. Before they had finished, it began to rain. Robert opened the umbrella to deflect what the branches of the tree did not. The toad hopped about on the dry ground, which it evidently preferred to the rain. Sarah flipped open Dink’s top and leaned out, collecting a smattering of rainwater. When she looked downhill, she saw that the streambed was already half full. She again took out the Guide, and opened it to the fourth part.

“`To travel and survive in an unfamiliar land, the first priority must be to identify and harvest edible plants,’” she read. “`There is no better preparation than learning the flora of the known realms, yet this is but the first step. It is essential above all not to let familiar appearances lead to false conclusions. Even the most learned and experienced have perished because they took a deadly plant for an edible one, or disregarded a source of valuable nutrition because it resembled a noxious weed…’”

She flipped through a series of illustrations that filled a good part of the guide, pausing occasionally to consider the plants around them. None of them looked familiar or welcoming in the first place, and several that had looked at least vaguely similar to ones in the book proved to be among the strangest of them all. She reached out and pulled down one of the very branches overhead. The leaves, on examination, were strings of separate fronds. What looked like a single flower was similarly a cluster of tiny blossoms. She examined one of number of white globes that she had taken for fruit. Its surface proved papery and translucent. She found that it had no stem, but bulged directly from the branch. At a gentle poke, it split, revealing a pallid worm that hissed at her. She squealed and let go of the branch. As it snapped upward, the grub went flying.

“Let’s go,” Sarah said as soon as the rain cleared. “We need to find a safe place.” Robert shrugged and shouldered his pack. The long-legged toad clung to one strap. His sister read as they walked from an earlier chapter. “`When possible, follow waterways. They will lead to centers of agriculture, population and even government…’” When they reached the streambed, now full of coursing, muddy water, she turned upstream.

“Oh, no,” said the distant voice. “We can’t let them go that way…”

“Now, dear,” rumbled the answering voice, already grudgingly, “it’s going to be a bother…”

 

Sarah tramped along the bank, Robert following behind her. Something almost but not quite like reeds grew along the edges, sometimes well back and sometimes so far forward they had to push through it. Ahead was a stand of trees like the one they had sat under. She read aloud from the fifth part of the Explorer’s Guide, on zoology. “`The next and most vital step in understanding an unknown land is to catalog its animal life,’” she said. “`Consider the size, shape and habits of each creature. Does it consume plants, meat or a combination of both? Is it alone, or does it gather and travel in groups? Are its colors and mode of life a match for its surroundings, or could it be a traveler from elsewhere like yourself?” As she spoke, she took a closer look at the strange toad. They were mere Cubits from the edge of the trees when the creature stepped into their path.

It was three Cubits high and utterly massive. It had scales on its belly and limbs, and long, fibrous quills on its back. It seemed to have no neck, only a massive head that protruded from between its hunchbacked shoulders. Its face was dominated by a long, stout beak, a helmet-like carapace and two red eyes.

“Please,” she said, carefully enunciating, “you must go back. I will show you…”

Sarah froze and stared. Robert huddled behind her. The squawking cries hurt her ears. It was like the roar of one of the engines Father’s craftsmen wouldn’t stop tinkering with, drawing out every note with prolonged reverberations. But what she found most disconcerting was that its cries sounded almost like words. She hastily consulted the Guide.

“`If intelligence is unknown, treat a creature as you would a strange dog or a menagerie beast outside its cage,’” she quavered. “`Maintain an upright posture, firm eye contact, and an authoritative voice. If possible, withdraw deferentially, without haste or any sign of panic…’”

As she edged deeper into the almost-reeds, she straightened and called out, “Leave us alone, we don’t want trouble!” She added, “I’m a princess, not a little girl! I’m six, almost six and a half!”

Suddenly, a second and even larger creature burst out of the trees, as tall as the armoire. “No, no!” he bellowed. “Stay away, see!”

Sarah and Robert both shrieked, and immediately turned and ran. The girl took her brother’s hands, though within moments, it was he who pulled her forward. As they disappeared, the larger creature embraced his mate. He groomed her mane as she shook with honking sobs. “Ohh,” she said, “did we have to do that?”

“There, there, he said. “I’m sure they’ll be all right…” He gave a honk that made the children run faster still.


Wednesday, May 31, 2023

The Legion of Silly Dinosaurs Anniversary Special: The Silliest Dinosaur???

 


As I write this, I'm still in overdrive actually finishing an actual novel, and I realized I actually had an extra week that I could either take off or make one post for. I also very much had in mind that this month would be none other than the third anniversary of the first post of my feature on silly AWESOME dinosaurs. (Yes, that was always supposed to be the gag...) Since I had already scaled back to bimonthly posts to keep my blog sustainable, I could have still have skipped, but then, the whole point of this feature has been to make a little time for something that's been a part of my life as long as I've been alive. So, I'm going through with this just a little after the actual anniversary, and as luck would have it, I just spent way too much money on a dino that fit the bill. Behold the... uh... Allo-Cerato-Thingysaurus???


It looks like there's not enough light. Actually, there's kind of too much...

Now for the story, I sighted this guy in a used bookstore where I've made a fair number of acquisitions featured here (including the worst-ever bigmouth and for that matter my favorite/ most useless reference model the Truckstop Queen), and I knew this was worth taking home just to have absolute proof it actually exists. As a further incentive, I discovered there were no obvious production markings, making this at least a minor mystery. So, I bought it for a price in the high single digits that was still definitely on the steep side for what I was getting, and brought it in for closer inspection. And here's another pic of this damn thing.


Once I had already paid for it, I did what I could have at any time and tried a search with a few terms that might identify the manufacturer. I quickly confirmed my early suspicion that this was part of the Fisher Price Imaginext line, which got in here with the Jurassic World Therizonosaurus. Further inquiries indicated that it was part of a 2005 set called T. Rex Mountain, which also included a caveman. Of course, that begs the question of what this is supposed to be, and that's where the horror begins. But first, a couple closeups...


Foot pegs never lie!

To begin with, this is a clear case of a "composite" dino, which really isn't a bad thing in itself. Its strongest affinities are with Ceratosaurus (which got its own post and an appearance together with a W@lmart hadrosaur before that), complete with the ridge along the back, but the number and placement of the horns don't exactly match. In other respects, it's more like a generic allosaurid, particularly in terms of the hands and the shape of the head. But with all these forgiving considerations taken into account, it still does an amazing number of things exactly wrong. The posture is a redundant combination of the "modern" horizontal orientation and the classic "tripod" pose that in terms of design functionality gives the disadvantages of both and the advantages of neither. The arms are in the basketball-dribbling pose that the nitpickers have been saying was impossible, and in any case are hopelessly ill-proportioned and grotesquely sculpted to boot. The feet are their own kind of mess, outlandishly small yet still clunky to a degree that may not fully show in the pics. The cherry on this sundae is the head. It has a bit of what now gets called "shrink-wrapping", which I have thought of as a "mummified" look. That only brings out the real problem: The eye is much too far back, in what would really be the anchoring windows (I know, fenestrae) for the jaw muscles. On casual inspection, it might look like someone mixed up which opening is the eye socket, but it's really worse than that. The head is too short for its comparatively limited depth, which didn't leave enough room to sculpt the details of the skull structure. It's all the more striking that these issues really came out because people were clearly trying to do this as a "realistic" dino rather than a dinosaur-like fantasy monster like the  patchisaurs. Yes... this is beautiful

And because this was a little bit thin, I decided to take a few pics of my reissue Marx Tyrannosaurus, which I don't believe I featured except as a pic for my T. rex-vs. research post. This is another epitome of bad dino design. As covered in my video on the Hideous Abomination, this was made as part of the 1950s "large mold" group, along with the great Brontosaurus and less great Kronosaurus pliosaur/ plesiosaur hybrid. This, on the other hand, was easily the worst dino Marx ever did. The pose is wrong, the teeth are wrong, the expression is just goofy, and the arms are... actually right??? It's the kind of mess that can be endearing long after well-meaning "scientific" restorations are forgotten. Here's a few pics.


"Howdy, is this where I audition for Valley of Gwangi?"



And why not a pic with the Abomination?

"Yeah, my agent said I was going to be in Dungeons and Dragons..."

And an interactive pic...


So, that finishes my anniversary post. As I already rambled at the beginning, this feature is one of the things that keeps this blog going, and the blog has been a major reason I've gotten back into writing far enough to be close to finishing a novel. (Too bad about the ones I actually posted here...) It's a small thing, but like a tiny fossil, small things can be everything. The bottom line is, I'm glad to have come this far, and I hope to go a lot further. And I couldn't end this without the Truckstop Queen!

"When they said cowboys and dinosaurs, this was not what I had in mind..."

That's all for now, more to come!

Sunday, October 16, 2022

The Legion of Silly Dinosaurs: Return of the Marx clones!

 


I'm starting my weekend post really late, and it happens to be the point where I would usually do a dino post. Fortunately, it also happens that I have a dino set I just posted an unboxing video for... and it is exactly the same as one I made a post about in late 2020. To kick things off, here's the glorious packaging post-unboxing.

I honestly don't know how this happened...

Now, I did have a reason for this. Over time (see my Hideous Abomination video), I've said quite a bit in praise of a figure that came with this set, which I've called the generic tyrannosaurid. It's a carnosaur sculpt that's vaguely impressive if you have had my level of traumatizing experience with knockoff and generic dinos. It's a good-sized dino in a "modern" pose that looks more or less like a tyrannosaurid. Which tyrannosaur is admittedly hazy; it's the wrong shape for an adult T. rex unless it's a juvenile. But call it Albertosaurus or Alioramus (see T. rex vs.) or even Allosaurus, and it will work well enough. In the course of my further recent experiments with "diorama" scenes (see last month's dino post), I decided that this was my best option for a general-purpose carnosaur. That, in turn, convinced me to get another one if I had the chance. That brought me back to a set I had sighted at the grocery store rather than Walmart, with the very familiar name Jaru (see Winston the Uintathere), and sure enough, this was in there. Here it is on The Couch Mark 2.

And here are a couple pics of the pair together.


It will be obvious from these pics that they aren't identical, and the newer one is in a number of ways worse. The paint and colors look vaguely overdone, the blue in particular is heavy enough to look less realistic, the paint on the teeth is wonky, and the plastic itself has a cheap, waxy look. Still, it's not a lot worse, and they managed to get one of the eyes in about the right place. Here's the regular dinos that came with the set, all clearly copied from Marx.

And here's most of the rest (I realized I missed a "fierce" hadrosaur on my new desk), alas including another Hideous Abomination and the patchisaur Pteranodon. (Okay, I admit it, I actually like the pterosaur...) 


After the generic tyrannosaur, the most interesting and flat out good thing to come with these sets was some rock/ terrain pieces. Both came with four. Two are just rock outcroppings that have already served me well as stands and general decorations. More intriguing, if not quite as useful, are a set of cliff/ mountain pieces that look more suitable for "distant" background elements. I have long been convinced that they are based on the matte paintings of Skull Island in the original King Kong. It has also crossed my mind that they look pretty close to how the edge of a meteor crater would from the inside. As with many things, the new set looks a bit different, though this time in no way worse. Here are the new pieces with examples from the old set in the middle.


And with the Space Guy Who Doesn't Care for scale!

And here's some alleged plants. I suppose they could be giant alien parsley...

And here's the whole pack of Hideous Abominations, including the "original" from the mystery box lot. If I had nightmares, it would be of these guys chasing me, only they'd fall over and scream for me to kill them or something. But no, I just dream about shopping...


For a creature that couldn't walk, it's embarrassingly easy to make these guys stand up...

Then for something different, it happens I also got an army man set from the same company. This was really very good, clearly made with a lot of effort or at least a good choice of who to copy. Here's a selection of sculpts. Several of these are different in style, color and material, enough to make me wonder if they came from (at least) two different suppliers. Despite this, they are uniform in overall quality. And look at the beautiful barbed wire...


And here's the vehicles and terrain pieces. As I commented unboxing this, the walls are clearly man-made, but it could still fit into a fantasy/ sci fi piece as ancient ruins of one sort or another. The funny part, I'm absolutely sure that helicopter is a transport called the Hind... made by the Soviet Union.

Now, it's time for the main event, the tyrannosaurs vs. the space marine analogs!

And that's a wrap for now. This is another reminder why I collect this stuff. It's always interesting, and once in a while, you get a thing of beauty. That's all for now, more to come!

Monday, July 18, 2022

Mystery Monday/ Legion of Silly Dinosaurs crossover: Random dino box!!!

 


As I write this, I'm preparing for my one-item bucket list trip to the Field Museum. In the meantime, I already had a surplus of dino material, and it has been a while since I did a Mystery Monday post. To cover the backlog, I decided to cover some material that was already the subject of my first unboxing video. I present a completely randomized online lot of dinos, only some of which were clearly represented in the listing. To get things going, here's the one that got my grudging interest, yet another incarnation of the Hideous Abomination (also already the subject of a video), pictured with one that turned up in a dino bag featured here before I bought it.

"Daddy, when will I grow a foot that supports weight?"

As previously recounted, the Abomination is a knockoff/ bootleg of the "skinny" T. rex issued by Marx after retiring their original (see my actual science post from last month). The most significant feature carried over was a pose that had one foot lifted off the ground, which the unknown persons responsible botched badly enough that one foot looks like a sloth's and the other, raised foot looks like a frog's. It is often identified with the patchisaurs, though I believe it is of independent origin. On the whole, it is if anything even more mysterious than the patchis, to the point that even its age has been difficult to assess. In my further opinion, it probably isn't much younger than the patchisaurs, but I have been hard-pressed to prove it. The best I had done up to this point was find pics here and there of specimens that were evidently older and definitely of far better manufacturing standards than those I had previously acquired. Notably, some of these had halfway decent painted detail, such as white teeth. I decided to acquire one, and ordered this lot because it had the most extensive and interesting additional material. Here's more pics.



On examination, this proved to be indeed a better specimen than any I had encountered before. The "feel" alone is a vast improvement, solid and far more pleasant. It has a number of details that are hazy or lost on newer examples, particularly extensive scales and bumps on the feet. The differences are most pronounced in the head, where the very silhouette is different. What looks like a wonky Kanamit brain on the copyis here a robust and well-defined cranium. Alas, the old version already has all the worst features, from the misshapen feet to the wonky ears. You can kind of see that whoever did this was really trying, but the only place to go from there was back to the drawing board. Here's a last detail pic.


Of the rest, the one that really convinced me to buy was a Carnotaurus of uncertain vintage. The photos provided in the listing were no help; I could only just tell what it was. As matters stood, it seemed very possible that this was the first toy to represent this very remarkable dinosaur, so I paid the price and waited to inspect it. What I got turned out to be smaller than I expected, and strange even compared to the creature. Here's a pic.


My immediate assessment was that it looked like a cake topper, a description that was repeated when I went looking for other examples. The quality and feel were on par with a "big mouth", though it lacks the characteristic open mouth and exposed hollow body. Beyond that, my best guess was that this was from sometime in the 1990s, at which time its "tripod" stance was already outdated. The most curious part is the head, which only looks as goofy as it does because it captures and even exaggerates the very unusual shape and proportions of the actual dinosaur. Here's a couple more pics.
"Bunny ears and buckteeth? We prefer lagomorphic and premaxillary enhanced."


For the remainder, it was a matter of course that a random box would have a few Marx clones. And here they are, a nicely colored stego and an Allosaurus.

Then there's a sampling of sauropods. The littlest of these is by my assessment the most interesting in the whole lot. It seems to be loosely based on the Marx Brontosaurus, scaled down and heavily stylized. The final product is attractive enough that I would very much like to know who made this and what their other products may have looked like. The largest one also shows a certain Marx influence. The third, however, is just odd, as if someone was given the description "long neck" without understaning that the tail was at least as long.

One more thing that might be expected is erasers. I got these two, which might or might not be erasers, but are very flexible rubber. They bear more than a passing resemblance to the Diener dino erasers, with detailing that is in some ways better. The only major con is that the stego is badly discolored on one side.

I also got a pair that seem to be of common origin with another group I've had backlogged for a very long time. These look like a Brachiosaurus and a Corythosaurus, and I'm sure the later is the same as one in a set of arcade prize dinos I picked up in the early 2000s. This just might be what gets me to post about this bunch.



And here's the last two, which are very different but fit together to me. The first is a big mouth that's practically unobjectionable (apart from the teeth), with a sculpt that's a good compromise between realism and stylization. The other is a quite modern stego that's very nice apart from the missing tail spikes. Here's a few pics.



And one more pic of the stego. Beautiful!

And how about an extra shot with the Battle Mountain?

That's all for now, more to come!