Sunday, February 19, 2023

Fiction: The Space Guys Adventure, Part 18!

 


It's the end of the weekend, and all I had is more Space Guys. This part is the kind of thing that usually overloads my stories. As usual, the table of contents is at the end.


The voyage continued. Uranus grew larger in the portholes, without a perceptible drift to the left or right. The grim feeling of the sideways planet and its rings mounted. The crew grew all the more restless, including the married couples. Arguments could be heard from behind partitions that were as often as not left open. Sometimes, they were quite audible even when the partitions were closed. Donald and Anatasia were the loudest and most frequent offenders. Alek remained happy with her math, and Jason was happy enough with his books except when Donald became unusually annoying.  He grew especially irritated when the engineer would begin repeating a strange pronunciation the planet’s name as if it was a joke in itself, usually at least once a day. A time came when Jason finally opened a partition he had pointedly shut. “It’s simple,” he said. “Yurr-ah-nuss. Is that so hard?” Donald just laughed as he closed the partition again.

“You are sweet,” Alek said.

 

A ceremonial occasion came when the captain announced a change among the pilots. “Command has decided that there is a need for additional leadership among the pilots,” he said. “To that end, they have approved the field commission of 2 new officers. In light of the promotion, we will issue two additional sidearms, strictly as a reflection of rank, of course.” Everyone laughed; only the captain looked amused. Jason smiled as Jax accepted his sidearm. He was less pleased when the second was given to Jackie, whom the captain called by his legal name of Jonathan Fitzhugh.

“You slipped a bit, farmboy,” Moxon said in a stage whisper. “Don’t worry; you’re still the genius’s favorite. That counts for something.” He stepped to the front, followed by Harrison and the decidedly reserved Sergeant Lazarevic. He held up a survival carbine from the ship’s hold. “Just so nobody else feels left out, we’re starting weapons training!”

Moxon started with a demonstration of his sidearm. The only thing new came when he connected a paddle-like charging holster as a stock for rapid fire. He promptly drilled Sparky the Squirrel between the eyes with a three-shot burst. He then unlimbered a larger weapon that looked vaguely like a Wild West rifle. “This is a Tesla carbine based on the same technology,” he said. “We have approval from Command to issue them to pilots, senior crew, and unescorted personnel on the basis of need. They have three settings. The first is a stun charge. The second is a cutting beam, effective to 400 meters. The third is a plasma bolt, like ball lightning. We don’t mess with that.” Of course, the gathered crew clamored for a demonstration of the third setting. They were given a video of a fist-sized bolt blowing a hole in an airlock.

Lazarevic and two of her troopers came forward to demonstrate their primary weapon, a rifle that could be fitted with a bayonet or a grenade launcher cup. “This is a Carl Gustaf Hero Sniper 8mm medium rifle, the most powerful semi-automatic firearm in the world,” she said. She handed the captain a specimen that had been stripped of a firing pin, which was soon passed around. “It is manufactured in Sweden to the specifications of the Patriotic Army. It generates a muzzle energy of up to 4400 kilojoules. It would be light for an elephant. Against any other target, it is lethal at 600 meters range. Of course, we expect to do more with that 3.7cm projector. It will fire all standard 2-gauge pyrotechnics, demolition and gas shells. With further modifications, it can launch an over-caliber 5cm engineering rocket. That can carry a cable, a heavy demolition charge or an anti-tank warhead. I don’t think we brought one of those along.” That drew laughs, some nervous.

Finally, she drew a revolver, clearly not for sharing. “Now this is a Nagant 95 revolver, over 100 years old and kicking,” she said. She held up a cartridge that looked like a blank. She turned it, revealing a slug seated deep in the casing. “It’s the first vacuum-sealed sidearm. The cylinder holds seven shots. They offered me a sidearm. I went with tradition.”

Donald raised a hand. “Excuse me, maybe I don’t understand,” he said. “It was a big deal when they thought they found protobacteria on Titan. So what do they expect you to use this stuff on? Heinz Himmelmann?”

The sergeant smiled. “They said we were to be prepared for the unknown,” she said. “If anyone did know, I suppose it would be classified.”

Harrison presented their more potentially lethal survival gear, starting with an assortment of knives. The largest looked like a sawed-off machete, with a leaf-shaped blade that swept forward.  Another looked less like a knife than an axe head repurposed as a knuckleduster. “The Martian crew may recognize these,” Harrison said. “This is a K20 survival knife. In the Corps, we called it a half-kukri, or of course, half-cocked for short.” He pointed to the knuckleduster. “And this is a Wusthof Esquimaux multi-purpose tool, based on the native ulu blade. A lot of people don’t know it wasn’t standard issue. They finally changed that for this mission. I understand this one was made on Mars. The manufacturer finally licensed it out, because Gaia couldn’t ship enough to meet demand.”

He got to the 2.6cm flare guns. They bore a range of attachments and modifications, including a version with a shoulder stock and what looked like a harpoon coming out of the muzzle. “These are 4-gauge survival projectors,” he said. “It’s partly interchangeable with the 3.7mm launcher, but it’s best not to fiddle either way. The standard rounds are flares and light percussive charges. There are shot cartridges available. Don’t worry about them. The carbine version will fire a range of over-caliber shells up to 7.5 cm, including the line-thrower you see here.”

Moxon stepped forward again. “I offered to do an extra demonstration,” he said. He picked up the half-K and the ulu. “Of course, these are issued to you for peaceful purposes as part of your duties as an exploration mission. However, there may be occasion to use them for other purposes. I have authorization to give lessons on their use in combat.” Donald raised his hand again, despite Anastasia's best efforts to discourage him. Moxon looked at him. “Are you volunteering?”

“Just another question,” the engineer said. “Before you teach us about knives, couldn’t you tell us something about that scar? Just, you know, to give us an idea of your qualifications?”

Moxon turned his head, bringing the scar on the left side of his face into stark relief. For the first time Jason could recall, he exposed his teeth as he smiled. “You should have seen the other guy,” he said. “So, would anyone like to take part in a demonstration.

“I will,” Jason said. “I use an ulu in the kitchen at home.”

Moxon smiled. “Experience never hurts,” he said. “Go ahead, show how you’d use it back home to start things off.” Jason stepped forward and accepted the native blade. He idly pictured driving the Eskimo blade into his mouth.

The demonstration proceeded without further comment. Jason used the ulu as the tool it was meant to be, chopping and dicing a radish and a piece of canned ham. When he was offered a block of ice, he carved it into the shape of a bear. That drew a cheer from Alek. “Oh, you are so coming to my bunk tonight,” she said. Moxon promptly chopped the same block in two with the half-K.

They took turns with the larger blade. Jason flayed a fish. Moxon split a piece of bamboo the long way. Jason used it to open a second tin of ham. Finally, the officer said, “Say, ever try combat moves?”

“On Mars, they teach us never to use a weapon on anyone,” Jason answered. “But we have a guy from Edo who teaches kukrijitsu. He said I was the best in his class.” Moxon handed him the knife and drew another.

They both practiced moves individually, then proceeded to sparring with sheathed blades. It became evident that Jason was faster, but not quite enough to outmatch Moxon’s skill. “The instructor who taught me said one thing before anything else,” Moxon said as he intercepted Jason’s blade a third time. “He said it was from Mark Twain. `The world’s best swordsman doesn’t fear the second best swordsman, he fears the worst, because he already knows what the second best is going to do…’”

Connecticut Yankee In King Arthur’s Court,” Jason said. “My instructor quoted it, too. `The person for him to be afraid of is some ignorant antagonist who has never had a sword in his hand before…’” He caught Moxon’s wrist with the trailing edge of his blade. “I only ever got about halfway through.”

Moxon gave his barking laugh. “It’s not exactly true, though,” he said to the onlookers. “People who don’t know anything about edged weapons usually try one or two, maybe three things before anything else. The real trouble is, they don’t know how to hide what they’re going to do, or make it look like they’re going to do something else. If they try it at all, they usually do it with their hands, when the real tells are in the eyes…” Jason thought of unsheathing the knife and driving it into his face. Instead, he swung at Moxon’s neck. He felt a surge of euphoric surprise as the blade connected… just before the point of the officer’s trench knife tapped his throat. Moxon grinned again. “Of course, Mr. Freeman is a long way from the worst.”

 

That very night, Jason and Alek had what they both agreed to be their most memorable encounter to that time and for some time after. A while later, Jason emerged from the partition around her cabin, leaving Alek lying face down with a sheet draped indifferently over her hips. By then, she had put on her lower undergarment, but any bystander would have seen only her completely bare upper back. Jason froze in mid-step at the sight of Moxon playing the target game. As the other man turned, he found that he felt much as he had the time he had got up in the night at home and discovered the airlock had vented while they slept.

“Sorry,” Jason said instinctively.

“Don’t be,” Moxon said. “I remembered I had left a few things here, so I came back.” Jason saw that the box from the closet was indeed at his feet. “I decided to give the game another go while I was here. As a matter of fact, I just broke my high score.”

“I’ll talk to the captain, I’m sure he will move the cabinet wherever you want,” Jason said. In his peripheral vision, he could see Alek squirm as she tried to look over her shoulder without exposing any more of herself.

“Oh, there’s no need for that,” Moxon said. “Anyway, we’re all friends here, aren’t we?”

“Jason,” Alek said. When he looked, he found her shaking her head almost violently. “I want him to go. Make him go.”

“I’m here with my wife,” Jason said. “She wants you to leave.”

“Oh, I won’t make any trouble,” Moxon said. “I’m not that kind. She knows that. I’m not the other kind, either.”

Alek finally spoke directly. “I don’t no care,” she said. “Go.”

The officer only smiled. “What, are you making that an order?”

“If you don’t, I can call my people back home,” Alek said in her flattest tone. “You would be surprised what they can do!”

Jason shut the partition. “Was there something you needed?” he said.

“As a matter of fact,” Moxon said, “I’ve been meaning to talk to you.”

“About what?” Jason asked cautiously.

“There was talk that you were talking about, let’s say, history,” Moxon said. “Especially with Mr. Fitzhugh.”

“Was I not supposed to?” Jason said.

“To be honest, there are rules, as far as what goes back to Gaia,” the officer said. “There are things the Union designates `sensitive’, and the press and the networks mostly set their own guidelines so the Fed and the Administration don’t need to get involved. The ones people know about are the morals codes; I gather a few people talked to you about that. There’s also ones for religious, racial and ethnic relations. They were modelled on rules from Jugoslavia. Those are the ones that are followed most strictly. It’s not that people can’t talk about things, of course, on the air or in print or anywhere else. It’s just a matter of doing it the right way at the right places. The same goes with talking about it. Always think about how you ask, who you’re talking to, and especially where you are. For now, I’d say it’s better to talk to me or Yates. Harrison could tell you quite a bit, at that.”

“Okay, thanks for telling me,” Jason said. “Is there anything you wanted to tell me?”

“I was in the Intervention,” Moxon said. “I wasn’t at Baton Rouge, my team was further north. It went a long way north. I know, your father was, too. Just so it’s understood, we aren’t the ones who talk.”

Jason looked at him with real respect. “I can understand that,” he said. “Now, please go.”

 “No problem,” Moxon said. “I know when youngsters need privacy.” He walked out, carrying the box with him. Jason untensed as the steps receded. He opened the cabinet, and froze again.

On the top shelf, just above the line of sight for anyone but him, lay the flame knife from Moxon’s box.

Thursday, February 16, 2023

Robot Revolution: The one with a robot and Frank

 


 

Title: Robot And Frank

What Year?: 2012

Classification: Mashup

Rating: That’s Good! (4/4)

 

In the course of my reviews, the running theme has been that I don’t do “new”. For the most part, this really gives the wrong impression of my actual viewing habits. The kinds of movies I review are not necessarily representative of the movies I watch. Among other things, I do see plenty of movies that are “new”, and even many that are popular. The true flip side is that I seem to have an inerrant homing instinct for movies that are either openly dismissed in their time or simply ignored and forgotten thereafter. This is pronounced enough that my pop culture experience can feel like living an alternate universe, where the films I consider admirable and outright astonishing get so little discussion I might doubt their existence if I wasn’t me. For my second review of this brand-new feature, I’m going with one of the more notable if not egregious examples. I present Robot And Frank, nothing less than the very best of the niche genre of the robot movie, and it does indeed have Frank.

Our story begins with an introduction to Frank, an old man who picks locks and shoplifts for fun but has trouble keeping track of whether his milk is expired.  His grown children are concerned enough that his son brings in the Robot, a specialized butler/ caregiver AI that tries to take charge of the house. At first, Frank agrees with his technophobic daughter, who wants the machine returned or scrapped, but the man and AI reach an understanding as its regime of healthy eating and structured routines restore his mind. Along the way, we learn that Frank isn’t just a petty kleptomaniac, but a master cat burglar, and the robot is flexible enough to help when his small-time antics nearly get him caught. As his faculties return, he strikes up a romance with a librarian who introduces him to her wealthiest patrons. It’s enough to get him interested in a return to the big time. He sets out on one last heist, with Robot on board. But getting the loot proves to be the easiest part, and the bot may be the one who pays the ultimate price!

Robot And Frank was a 2012 science fiction/ drama by first-time director Jake Schreier. The film was based on a script by Christopher Ford, reportedly conceived in 2002. The film starred Frank Langella (see Masters of the Universe) and Peter Sarsgaard as the voice of Robot, with James Marsden and Liv Tyler as Frank’s children Hunter and Madison. The Robot was a practical effect created by Alterian, Inc. The film premiered at the Sundance Festival in January 2012, followed by a limited theatrical release in August. It earned a reported box office of $4.9 million, roughly twice its $2.5M budget. Critical reviews were positive. The film has been available on digital platforms, at one point including streaming on Netflix.

For my experiences, this was a movie I’m sure I first encountered on Netflix, probably at 9 PM or later, after seeing a positive review. It immediately impressed me as a good example of what “mainstream” talent can bring to a genre film, and one of the best robot movies within the current millennium at least. Over time, my thoughts haven’t changed, but there has been a growing frustration factor as it has become clear that this wasn’t on its way to being a classic, “cult” or otherwise. Now, it’s not completely obscure (see Two Evil Eyes); I do meet people who have seen and liked it, when I mention it. What I haven’t seen is genre critics and fans evaluating it as a definitive modern treatment of robotics and artificial intelligence that all others should at least examine, which is by all means the level where it belongs.

Moving forward, the obvious thing to say in hindsight is that it’s not hard to see why this failed to catch on in either genre or “mainstream” circles. The “star” talent here kind of cancels itself out, with the exceptions of Tyler, who makes an impression just for looking her age (I know, 10 years ago…), and Jeremy Strong as the obnoxious target of the heist. Similarly, the “thoughtful” story and its themes of aging and mortality, all of which follow paths that would be well-worn for the arthouse scene where the film would have made its first appearance. Fortunately, this is a case where the actual merits of the film make the obvious criticisms moot, especially when it comes to Langella’s performance. He is simply superb, and I must say again that he lives down his reputation as a so-bad-it’s-good ham. If anything, his greatest strength is conveying the sense a character whose strongest tendencies are held in check, in this case by his harrowingly credible disabilities. What will ring true for those with experience is that there is never a “switch” from good to evil. At his lowest moment, conspicuously his spiteful antics at a store that replaced a favorite restaurant, there is still cunning beneath the surface, and a resentment of society that might be triggered by a changing world or might have been there all along. Once his faculties return, it becomes clear that he is no thief with a heart of gold, yet like the most intriguing outlaws, he is constrained by a minimum standard of morality and a skewed sense of fair play.

That brings us to Robot, and what is most noteworthy is that the story is driven by the AI’s relationship with the human lead. The bot is strikingly functional, almost but not quite “retro”, enough that one might debate if it should be counted as an “effect” at all. Sarsgaard’s voice work is perfect, never “robotic” yet rarely if ever emotional. There’s a certain level of “meta” in his repeated insistence that he is not a “person”, which notably never draws Frank into argument or debate beyond the off-hand comment, “Stop telling me you don’t exist.” What becomes fascinating and increasingly horrifying is the Robot’s largely unexplained descent into crime. I find it akin to nothing so much as the strange story “Fondly Fahrenheit” by Alfred Bester, albeit without a body count. As in Bester’s tale, the straightforward explanation is that Frank’s mental deterioration and already gray-area morals have somehow corrupted the AI. The equally unsettling alternative is that the bot is simply committed to aiding Frank in his recovery at all costs, even as it becomes increasingly clear that restoring his old self is anything but desirable. It all serves to set up the moral dilemma of the finale, the outcome of which is never in doubt. As with many things here, the fact that it is predictable in theory does not diminish its effectiveness in execution. There is a further payoff in Robot’s telegraphed threat to self-destruct, matched by a perfectly indifferent response from Marsden.

That leaves the “one scene”, and I’m going with the one that does the most to define the film’s wider assumed universe. At a gathering of the library’s patrons, Frank and Robot encounter another AI, previously introduced by the librarian (I know, Susan Sarandon) as Mr. Darcy, in service at the small-town library and who knows where and for how long before that. Compared to Robot, Darcy is a pitiful and subtly puzzling anachronism, resembling a 1980’s vintage desktop computer on wheels and quite possibly similar in computing power. The two humans try to get the two AI units to interact, with the clear expectation that this will be a charming diversion. At first, the robots merely identify each other by manufacturer and model, with the significant implication that Darcy’s files have been updated often enough to recognize a more advanced machine. When they are still pressured to be social, they offer a hilariously anticlimactic exchange that, as usual, is better seen than described. What continues to fascinate me almost to distraction is Mr. Darcy. He/ it really does “look” like something that could have been made in the 1980s, complete with enough evident wear and tear that it truly might be decades old. So, is this a further future than most of the tech would suggest? Or have we wandered into a millennial equivalent of a steampunk universe, where the dreams of 1950s-‘60s sci fi became reality at some point further back? It’s the kind of question that’s clearly thinking further than the filmmakers did, and this is one time that over-analysis only adds to the fun.

In closing, all I can really add is how I would stack this movie against others I have either reviewed elsewhere or considered for this feature. I definitely consider it superior to M3GAN. In fact, it’s a major reason I didn’t rate that one even higher than I did, something I would have made explicit if I didn’t prefer to avoid name-dropping films I might review later. By the same “rules”, I’m not yet ready to say how I would compare it to certain other robot/ AI films of the last decade. (I genuinely haven’t decided on the most prominent example, which means I will probably get to it.) Its greatest significance is that proves the recent successes of the robot (sub)genre have been not just a revival, but a true evolution. In the last century, science fiction ran the from Robby the Robot to Terminator, with the 1970s anxieties of Westworld and Futureworld in between. By 2010, with artificial intelligence and robotics increasingly a reality as much as fiction, we were ready to revisit the subject with a new sense of nuance and maturity, and the present film was among the first to prove how far the genre had come. That’s more than enough to get it a place among the highest ranks. With that, I have made my peace.

Tuesday, February 14, 2023

Fiction: The Space Guys Adventure, Part 17!

 I'm back for what I'm counting as first post of the month, and naturally, I have nothing prepared but a Space Guys installment. This is easily the single biggest waste of time in this entire project, and that is really saying something. Still, it's done, and I am posting it so I never revise it again. The only thing I will say is, if you're trying work the civil rights movement into alternate history... don't. As usual, a table of contents is at the end.


The traverse from Saturn to Uranus was the longest of the voyage, and the bleakest. TV transmissions became infrequent and garbled by static. The game cabinets fell into disuse. Reading became perfunctory and repetitive outside of required technical material, mostly on their own equipment. The disc library still held hundreds of movies and thousands of songs, but it remained in regular use only by a handful who played their favorites almost continuously. Jason’s own collection was long since exhausted, though he was still pestered to loan out his choicest titles. Donald offered regular lessons with his telescope. There was little to see, however, except the slowly growing orb of Uranus, featureless except for its rings, which were turned at right angles to those of Saturn. Jason found the sideways planet and its vertical rings like a buzzsaw viewed head-on, as cold and baleful as the pre-Olympian god of myth.

In the midst of the trek, a day came when Jason and Alek lounged with Donald and Anastasia. Across the corridor, Jackie played chess with Jax. The player was running a disc nobody would admit putting on, about the adventures of Sheriff Buckner of Mars. The midpoint of the film found him chasing bootleggers through the foothills of Olympus. Anastasia was stretched out on the couch looking at a technical schematic, her feet and calves in her husband’s lap. Abruptly, he tried to pull her to him, without regard for the fact that she was taller than him. She pushed him back with a curse, forcibly extricating his hand from her fatigues in the process. It was as tired as it was brazen for both of them. She stretched out again, then grudgingly reversed herself. Alek, already in Jason’s lap as usual, looked up briefly, then went back to sketching.

Jackie looked up from the game as a speeding rover hurtled off a cliff. “Who the Hell came up with this, anyway?” he said.

“It’s a space western,” Donald said. “They were a thing in Italy, 15 or 20 years ago. It didn’t really catch on. I think they shot this one in Croatia, with a red filter.”

Alek took a closer look at the screen. “You are right,” she said. After a moment, she turned to Jason. “Did any of this really happen?”

He sighed. “Yeah, kind of,” he said. “We had trouble with smuggling, early on. It was all because of restrictions by the Agency. They prohibited any `nonessential’ payloads in shipments from Gaia. That meant no discs, no musical instruments, no toys, not even books that weren’t `informational’, which was anything they didn’t like. Of course, we looked for ways to get around it…”

“It was one guy,” Anastasia said. “Bootlegger Boris. He had already made a fortune on gray-market goods in the Federation, you know, stuff that was never banned but too `decadent’ for the state factories to make. He used his connections to do the same thing in Olympus Mons. He figured out that the ships carry extra fuel for emergency maneuvers, and that spacers were already cutting into the margin to carry personal belongings. So, he started paying them off to carry stuff for him. Later on, he started siphoning off the emergency fuel so he could replace it with merchandise and resell the fuel. Eventually, he just got too greedy. He couldn’t sell off what he had, then a passenger ship came down hard because it didn’t have enough fuel for an emergency maneuver. They say when they finally searched his dome, they found a whole room full of nothing but toy soldiers and unsold copies of The Outlaws.”

“What happened to him?” Alek asked.

“He surrendered,” Jason said, glaring toward an ongoing gun battle onscreen. “Where was he gonna go?”

“So are there police?” Alek asked.

“We have the Sheriffs,” Jax chimed in. He frowned as he sacrificed his queen for Jackie’s rook. “We call them that. The official title is Social Wellness Officer.”

“Yeah,” Jason said. “Their job is to visit every household at least twice a year. Three or four times in the outer settlements.”

That got Donald’s interest. “Then, what, they knock on an airlock door and ask to come in?” He laughed at that. “Now that would let Hollywood down.”

“It wasn’t any different in the Old West, really,” Jason said. “The movies talk about the natives and the outlaws, but the biggest problem was cabin fever.”

“Sure,” Anastasia said. “Why don’t you tell them about Jonah Johnson, farmboy? He was on your side. They never made a movie about him.”

Alek looked at Jason, her eyes wide in curiosity. “Come on, that was a long time ago,” he said, instinctively evasive. “It couldn’t happen now; it wouldn’t have happened then, if we’d known what we do now.”

“That is not no answer,” Alek said politely.

That was when Jackie spoke up again. “I can tell you about it,” he said. “It was on the Utopia Pipeline, halfway between Mons and the ice. They tried to have a manned outpost every thousand K’s. Somebody decided it was better to put the settlers with families on the line. Anyway, Jonah Johnson had been married 10 years, and they had three kids. He was moreno and she was Anglo, if it matters. Everybody said they were a model family, very enlightened.”

He took a bishop that had put him in check, only to lose his queen. “The first anyone knew there was trouble was when an automated sensor showed the safety on their air lock was burned out. Then there was no answer on the wire. It took 30 hours for a repair team to arrive,” he said. “Near as anyone could figure, Jonah took out a flare pistol. It was completely legal, though they wouldn’t have been issued one if they hadn’t been so far out. He made their oldest put her brothers to bed and tie up her mother before he shot her. Then he hotwired the lock and opened up the hab. It would have taken a while, maybe an hour, probably not more than two. Before it was halfway done, he loaded another shell and ate it.”

Alek only gaped. “I heard something about it,” she said. “What happened? What did they do, I mean?”

Anastasia shrugged. “They set up the Sheriffs, like Farmboy said,” she said. “There was a cover story for the press, of course. They couldn’t say it was an accident, but they made it out like the grownups were fighting for the gun and it went off by accident. It could have happened that way… except for where the girl was hit.”

By then, Jax had rallied and taken Jackie’s remaining rook. “They shouldn’t have been out there alone, no matter how long they had been together,” he said. “Couples need to stay part of their families, especially if they have differences.”

Jackie rested one arm on the table. “You think that puts you in line for saint?” he said. “You ask me, what happened to the Johnsons came down to one thing: Anglo women aren’t afraid to talk back.”

“Why shouldn’t they?” Jax said. He moved a rook. “Check, mate in two.”

“Of course they can,” Jackie answered. “But there’s a time when a woman needs to shut up or run for the door.”

“We’re leaving,” Anastasia announced abruptly. As she led Donald away, she called over her shoulder, “And being right doesn’t mean you aren’t full of kaka!”

Jax and Jackie played on in silence. It took four moves before Jax won, a fact neither of them mentioned. “Look, I want to know,” Jason said. “What’s your deal? Why don’t you get along with Jax? Why haven’t either of you talked to us?”

“Why does there have to be a problem?” Jackie said. “It’s not about his morena. It’s not about the Anglo woman, either. Folks are folks. Sometimes, they don’t mix.”

 “Jill and I are both Old Creole,” Jax said. “I’m probably as much colored as she is white. Jason is one-fourth Spanish Malay. We were all on the same side.

“That’s the thing about wars,” Jackie said. “There’s always people who chose the wrong side, even on the winning team.”

After a time of silence, Jax said, “Look, I asked Lana if she wanted to get married, when we get back to Mars. We could do it, if Jill consented, but she would have to file for divorce from her man back on Gaia. She said no. She has her reasons.”

“Yeah, I’m sure a lady like Jill would be open-minded,” Jackie said. “Except, she doesn’t have a lot of choice, does she? Sure, she could take the kid back to her folks. But then what? It’s hard enough getting a man in a free love sector in the first place. How do you think it would work trying to do it with a mixed baby in tow? I’ll be the first to admit, morenos aren’t saints.”

He abruptly pointed to Alek. “Bloody Hell, look at her. She and your friend are all mush for each other now, that’s fine. But she’s literally from another planet, she has more millions than his family has thousands, even if she is too wrapped up in her math to notice, and she can build an actual murder robot. If he wanted to leave and she wanted him to stay, would you want to be in the middle of it?”

Alek flushed, though it was clear she was not entirely displeased. “Of course, I would let you go,” she said. She stroked Jason’s knee. “I am an enlightened woman. But we both know you would come back.”

Alek hooked into one of old Yuri’s feed. They found a war movie that Alek immediately identified as her favorite. It was the tale of resistance fighters in Jugoslavia, bitterly divided between communists and nationalists even as they fought or hid from the Reich’s occupation forces.  The leaders of two such bands argued whether to intervene in a battle beyond their borders to the west, which proved to be American and British force in northern Italy that had been cut off from their own lines by a Reich counter-attack. Finally, the Jugoslavs banded together came to their aid. Every time Jason was ready to scoff, one of the others would confirm it.

“About half of them were from all-colored units,” Jackie said. The film represented a group of Americans from the southern US with a single moreno at the head of an assortment of obviously Latin actors. “Another 10% were campesinos…” That drew troubled looks from Jax, Jason and even Alek.

“Whoa, dude,” Jason said. “I don’t know about where you’re from, but in the Hellas sector, you don’t say that. Leastways not if you aren’t one of them.”’

That got a laugh from Jackie. “If you say so,” he said. He continued after a pause, “I had a great uncle who fought. He came home, but they say he never got all the way back.”

“What did happen, anyway?” Jason said. “I don’t mean during the Troubles, I mean between your folks and Jill’s.”

Jackie shook his head. “It wouldn’t matter now,” he said. He glanced toward Jax. “He could probably tell you more about it than me. His lady writes books about it.”

“It was the Fed’s fault,” Jax said. “Look, I’ve told you, morenos aren’t the same. It didn’t always mean all of them. It started as what the braceros in Texas called the ones who came west during the Wars. After a while, people got the idea that it meant something different from Creole. It probably wasn’t, but even braceros could tell the difference. When the Registry of African-Descended Citizens was started, the Fed wanted the same split. The Separatists in the communes went along with it, the Integrationists threatened to back out, especially the Creoles.”

“Okay,” Jason said. “So maybe you are different. What was the difference to the Fed?”

“Oh, that’s easy,” Jackie said. “The colored Creoles were enslaved by the French and the Spanish, not the Anglos. A lot of them were freed before the Louisiana Purchase, or leastways, their families said they were. That meant they weren’t taken for forced labor in a territory under United States authority… so their descendants wouldn’t be eligible for reparations.”

Jason puzzled over that a moment. He finally said, “They were talking about that, then?

“Why not?” Alek said in her flat lecture voice. “The War Reparations treaties were supposed to apply to both sides. Some of the slaves from your war were still alive.”

Jason shook his head, but he did not protest. “So that split the colored rights movement?”

Jackie shrugged. “The law put a chisel where we were splitting ourselves, same as always,” he said. “The nice Integrationists in the big cities could say the Separatists were going the wrong direction, because they had gone their own way so far they couldn’t turn back if they wanted to. For us, once we were on our own, we didn’t have anywhere else to go when the Troubles started.”

“Damn,” Jason said.

“That’s us,” Jackie said. “Damned if you do, damned if you don’t.” As the credits rolled, he said, “Say, want to play chess?”

He beat Jason in 10 moves.

Table of contents

Part 1. The demo!

Part 2. The villain!

Part 3. The world-building!

Part 4. The romance!

Part 5. The killer robot!

Part 6: The shuttle ride!

Part 7: Alternate universe pop culture!

Part 8: The launch!

Part 9: The girl talk!

Part 10: The domestic disturbance!!!

Part 11: The Space Nazis!!!

Part 12: The inevitable geography lesson!

Part 13: The wedding!!!

Part 14:  The spicy chapter!

Part 15: The bad guy backstory!

Part 16: The Dinner!

Sunday, February 12, 2023

Robot Revolution: The one that's a killer robot musical

 


 

Title: M3GAN

What Year?: 2022

Classification: Mashup/ Anachronistic Outlier

Rating: It’s Okay! (3/4)

 

As I write this, I’ve been going through more movies than usual trying to settle on one I would review. I finally decided it was time to do two things I hadn’t done in a while if at all. First, I’m starting a new feature, albeit one I had thought about for a very long time. Second, I’m kicking it off with a movie that is not only out in theaters but well on its way to becoming a “mainstream” hit. I’m going to be talking about robot movies, and the first in line is M3GAN, a killer robot movie that mostly delivers what it promises… with musical numbers.

Our story begins with an ad for the latest electronic/ AI toy, a Furby with an ipad interface. It turns into tragedy when a girl is left an orphan, and it just happens the lead designer for the toy’s manufacturer is her aunt. Of course, the girl ends up with her aunt, who clearly has no business taking care of a hamster under ideal circumstances. To deal with her new responsibilities without in any way distracting from her career, the narcissist-minded inventor brings home an android prototype named Megan (sorry, I am not using the gimmick spelling) to comfort her ward. The orphan quickly bonds with the AI, convincing a fire-breathing boss who specifically asked for something else to publicize a launch event. Meanwhile, the bond between the android and the kid deepens, to the point that the bot preemptively takes out the neighbor’s dog. When humans start turning up in the body count, the inventor considers pulling the plug, only to find that her foster daughter already favors Megan over her. But the real question is, will this be a tense drama/ psychological horror piece about near-future technological ethics, or another slasher crossover about a Frankenstein analog run amuck? Well, did I mention the robot sings???

M3GAN is a 2022 science fiction/ horror film by New Zealand filmmaker Gerard Johnstone from a script by Akela Cooper and James Wan. The film was a multinational coproduction between Blumhouse Productions and Wan’s Atomic Monster Productions, filmed mainly in Los Angeles and Auckland, New Zealand. The film starred Allison Williams as Gemma and Ronny Chieng as the boss David, with Violet McGraw as the orphan Cady and dancer Amie Donald credited as the android Megan. An animatronic puppet and other effects for the android were created by Adrien Morot, whose previous credits included The Adventures of Pluto Nash (you really can’t win them all). Additional CGI effects were provided by the Weta Workshop, best known for the Lord of the Rings live-action franchise. The film was given a general theatrical release in January 2023 after an LA premier on December 7, 2022. As of February 2023, it has earned $161.5 million against a $12M budget. A sequel has been announced for 2025.

For my experiences, this review is the result of two converging threads in my reviews. First, I have inevitably reviewed a fair number of movies in the “killer robot” genre, notably The Terminator, Hardware, Saturn 3 and The Mitchells Vs The Machines, as well as “adjacent” films that featured robots as significant antagonists, like The Black Hole, Logan’s Run and Lily CAT. From the very earliest date, there were movies that I passed over because they did not fit what I was doing, and these continued to pile up even after I had broadened my horizons considerably. On the other side of the equation are my very conflicted feelings about “mainstream” filmmakers taking on “genre” subjects, as in the likes of The Space Between Us and A Quiet Place.  With that backdrop, I was very skeptical when I began to see word of mouth building around the present film. What I freely allowed in its favor is that robot movies have in fact been the source of some inarguably excellent science fiction films with “mainstream” talent and polish, which I won’t go into while I’m still planning out this feature. I decided it was worth a look and a possible review. I came out pleasantly surprised, up to a point.

Moving forward, what really stood out to me is that this is the kind of “near-future” sci fi that could work just as well without the sci fi part, if it wasn’t already ambiguous. That right there gets to both the strengths and certain weaknesses of the film. There is compelling drama and undertones of domestic farce in the interplay of the inventor, the girl and the machine that would still work if Megan was “supposed” to be nothing more or less than a very realistic toy. There is also very good satire that keeps the focus on the “real life” tech and the corporate culture behind it, incidentally earning Chieng the star status I’m according him here. The real problem is that the film rarely if ever offers any corresponding ambiguity about Megan, which is an especially baffling oversight from the “mainstream” filmmakers otherwise known supernatural horror. We could have had a doll as an imaginary friend and proxy for the child’s anxieties and darker impulses (see, if anything, Picture Mommy Dead). We could have had a clearly powerful AI whose motives are complex or unknown, like HAL or Skynet. (The berserk phone in Mitchells comes close…) Or, we could have had a “real” robot whose sentience might or might not go beyond their masters’ wishful thinking, like the femme bot Alicia way back in The Twilight Zone. (Wait, did Rod Serling get a pleasure robot on 1950s television???) The common denominator with my usual rants is that there is little sign that the mainstream newcomers understand what made the best in the genre great, if they are aware of them at all. The result is a film that answers its own questions long before the end. That is why a film like this is good for jump scares, not so much for sheer existential terror.

Inevitably, one must deal with the effects and character of Megan herself. On the technical front, this is unquestionably among the best of the very best, especially for a “medium budget” film. What’s most noteworthy is that the film regularly references 1980s/ ‘90s robots, both on-screen and “real life”, without ever coming across as trying to mock or outdo them. In the process, the film lays down quite realistic abilities and limitations for the bot, at least for about the first half of the film. On this vein, it is especially intriguing to see the quite believable reactions of the bystanders in the film’s world, who usually either accept and ignore Megan if they aren’t paying attention or react with shock and outright horror if they get a closer look. Recognition is also in order for non-anthropomorphic touches like running on all fours, as well as her completely terrifying ability to mimic the human characters’ voices (identical to the Terminator!). My inevitable rant is that the finale compromises on the realistic limits introduced before, which paradoxically makes the later scenes far more predictable. It’s interesting and original while Megan treats even the dog as an adversary who could damage or destroy her on equal terms. When she is literally throwing healthy adults around without effort in the final act, it’s nothing we haven’t seen before, albeit done well.

Now for the “one scene”, I noticed a lot of very good moments that I could easily find online. But, as usual, the one that interested me was one I absolutely could not find, and that’s impressive to say considering the only other film I reviewed from a theatrical viewing was Everything Everywhere All At Once. Right at the end, Megan and Gemma are sizing each other up before the inevitable. In the mist of it, Megan reveals that she can “remember” her own evolution from software that predates the bot. From there, recounts the mother figure talking and reading stories to her developing base AI, before shifting priorities and neglect took hold. It’s the first time we get a sense of her relating to anyone besides the kid, further confirming patterns in what we’ve already seen. In the process, we also get some groundwork that earns certain sequel hooks already being discussed. It’s a twisted picture of domestic dysfunction laid over the Promethean archetype of the Frankenstein myth. It’s why even I will freely admit that this is a good movie.

In closing, after going longer than usual, I come less to the rating than to where this fits in the ranks of robot movies. In the bigger picture, if I had to pick a “best” out of the robot movies I have reviewed so far, with further adjustments for where a robot counts as a “main” character, my honest choice would be The Mitchells Vs. The Machines. (Okay, Terminator would be at least a tie, but technically, I didn’t rate that one…) That film will further suffice to show why I find the present one flawed by comparison, to a degree that gets mutually embarrassing when dealing with an animated film that didn’t even get a theatrical release. As I will show, there are still plenty of better robot films, both “recent” and vintage. In their company, this is the kind of movie that earns its place with the best without quite rising to the top, and that should by all means be more than good enough. With that, I have said enough.

Friday, February 3, 2023

Fiction: The Space Guys Adventure, Part 16!

I was planning on one post for this week, so of course, it's more Space Guys. If it seems longer than usual, it's because I'm finally consolidating the ideas I haven't used so far. As usual, the table of contents is at the end.


The voyage went on. As the Janus accelerated past Jupiter’s outermost moons, word came that Jill Lightower had delivered a son. Jax showed the crew the video of the mother holding his child. It was cause for celebration across the ship. When it was over, Jason went back to their cabin. He found Jax in Dr. Cahill’s arms. She was holding him while he cried.

The ship made its closest approach to Saturn at Christmas time. They passed within the orbits of the ringed planet’s most distant moons, but Titan, the only inhabited satellite, was on the far side. The common area around the captain’s cabin became the scene of yet another celebration. The corridor was festooned with improvised decorations, notably tinsel made from padding for pressure suits and blankets and a string of landing lights. Gift-giving was limited to reserved items from the rations store. Alek made an exception, presenting Jason with his own model of a brontosaur. A festive time was had by all, ultimately stretching for days. As the festivities wound down, Moxon made a rare visit to Alek’s cabin.

“So, I’ve been hearing, you know a lot of languages,” the officer said. “The scientists and the crew are saying you’ve been trying to talk to them in their own languages.”

“Of course,” Alek said. “It’s the best way to be friendly, no?”

“It can be,” Moxon said, his tone clearly neutral. “I’m pretty good with languages myself. I’d like to see how I measure up to you.”

“Sure,” Alek said. “What language do you want to try?”

Moxon was silent for a moment, as if thinking. Jason was sure he had made his decision long before. “How about Albanian?” he said. “It’s from your part of the world.”

“I know a little,” Alek said, still enthusiastic.

“Good,” Moxon said. He began to speak, in a tongue Jason knew just enough of to recognize. Alek answered an evident question. The officer spoke back, more sternly. As the back and forth continued, it quickly became evident that Alek was confused. Soon, she became visibly distressed. Still, she pressed on earnestly until Moxon said, “Stop.”

He shook his head. “You’re speaking the northern dialect,” he said. “I suppose because you learned from a Kosovar, so that’s not your fault. You’re still getting it wrong.” He spoke several sentences. By then, Alek looked close to tears. Jason put an arm around her. “It’s always the same. You can get the basics mostly right, but the details are what matter. You aren’t that much better in Hrvatski, either. He knows that.”

The officer rose. “Here’s the thing about living in the age of world government. You don’t have to know a dozen languages to make your way around. I do myself, and I’ve only ever used four of them. So stick to English. You need enough practice with that.” He walked out across from where he had entered, as if it had all been a minor detour. Alek promptly turned to Jason.

“Look,” Jason said, “you’re brilliant. You amaze me. I’m smart, and you still make me feel like a talking mule. But you can’t be great at everything.”

“Why not?” Alek said. She promptly rose and went to the lab where Chopper and Tik Tok were plugged in. She looked over her shoulder and smiled. “Look, I taught them a new trick.” Jason laughed as Tik Tok and his towering counterpart pantomimed the meeting of Anne Darrow and King Kong.

 

Not long after, they were invited to dinner by Donald and Anastasia. He showed his favorite film in his quarters, at the far end of the corridor from the captain’s cabin. Also invited were Jackie and Sandra, who had been seen together without announcing or denying a relationship. In an undisputed coupe, Professor and Dame Futura also attended. The cabin was dominated by an L-shaped dinette that could convert into a bed. The professor and his lady were seated on the short leg, while Donald, Anastasia and Alek sat on the long leg. Jackie sat with Sandra directly across from Anastasia, with no sign of awkwardness on his own part. Jason sat at the end of the table. His real hope was to catch up with Sandra, but the Professor quickly drew the others’ attention.

“I know you don’t see much of me,” the professor said. “I have been receiving rejuvenation treatments, for some time now. The technology is similar to your bio-enhancements; in fact, the development of both was interdependent. It requires a 4-hour session at least twice a week. The side-effects are significant enough that it can take a full day to get back to full functioning.”

“You know,” Jackie said, “my parents came from the Lincoln City commune. My dad met with you, once. They say your company was the first one to bring real money in.”

“I remember,” Futura said. “A bit of an overstatement. A number of industrialists were investing in regional development. I do try to keep track; how is your settlement doing?”

“We do all right,” Jackie said, pointedly not looking at Anastasia. “We’re up to 20 families, still pretty much off on our own. In another year, we should have our own pipeline in. Dad says it’s as much as we ever wanted back home.”

“So, wait,” Donald said. “Your folks had a whole new planet, and you decided to segregate yourselves?”

Jackie looked at him coolly. Anastasia was clearly ready to elbow him. “Where are you from?” he said. “New England, thereabouts?”

“New Jersey,” Donald said.

“So you came from the Pilgrims,” Jackie said. “Leastways, you live where they landed. So weren’t they the ones who went to another continent to be by themselves?” When Donald was silent, Jackie pointed to Anastasia and Alek. “I’ll tell you something else, the Refugee laws said Russians couldn’t marry Anglos without them both being expelled. Your senator helped pass them. That wasn’t anything to do with us, was it?”

“We did what we could,” Donald said, glancing at his wife. “If there hadn’t been a compromise, things would have been worse.”

Jackie nodded. “That’s always the story, isn’t it?” he said. “Funny thing is, they never say how.”

That was enough for a few minutes of merciful silence. “Is it really true,” Sandra finally said, “that you hold the patents on the video record, the microcomputer and the data disc?”

“I can tell you this,” Donald said. “He has the patent on the fusion reactor I helped my professor design.”

“Come now, I have never been unfair,” Futura said. “In the atomic age, there are no more inventors. Everything important gets done by teams, labs and whole organizations. I made my capital on a few patents refining existing technologies, as well as royalties from my biographical writings. The rest was a matter of directing and financing research. Everyone involved in the technologies my company developed has received both recognition and payment. Quite generous payment, in fact.”

“Hey, I’m not complaining,” Donald said. “Just setting the record straight.” He looked over Sandra. She was neither Anglo nor morena and plainly attractive, which usually left men guessing in vain at her heritage. Jason knew that her parents came from the country of Belize, and nothing more.

“Now that I think about it,” Futura said, “I need to take back what I said. There’s one inventor left. That would be Aleksandra, the smartest supergenius on Gaia or off.”

Alek giggled. “Oh, you,” she said. “You are much smarter than me.”

“A smart man knows when someone else knows something he doesn’t,” Futura countered. “As it happens, my analysts say you’ve been on track to be richer than me, for quite a while now.”

Jason looked uneasily between the two. “Is that really true?” he asked Alek. “You’re rich, back on the Homeworld?”

Alek shrugged. “I don’t no keep track,” she said. “I have, how to say, quite a bit. Everybody on this ship is rich. You have a lot of money; leastways, your mother and father do. I had my people check, when we started writing.”

Jason was silent, trying to shrug it off. By some thread of conversation he had not followed, Alek blurted out, “You know, Jason says on Mars, a man can have two wives.”

That got a moment of awkward silence, especially from the Martian men. It was Jackie who spoke up.  “Okay, that never happened anywhere near where I live,” he said. “But I heard about in the Olympus Mons sector. We don’t really talk about it.”

Jason blushed as Alek looked at him along with the others. “Well, it’s just not like people think,” he said. “The thing is, it can only happen if the woman he marries first agrees to, well... share.” He looked away as Alek giggled.

“What’s the big deal?” Donald mused. “I tell Ana, I’m fine if she wants to have a boyfriend. Heck, I’d be cool if she had a girlfriend. As long as I’m Numero Uno…” That did get an elbow.

They got back to the Professor’s rejuvenation treatments. “The details are still not generally known to the public,” he said when Jason mentioned it. “We have gone to significant lengths to keep it that was. Like your enhancements, really. Some people say the people would riot if they knew it existed and wasn’t available. For myself, I would rather go without it, but if I had, I could not have come.”

“You know, you were already the first on Mars, Ganymede and Titan,” Jason said. “They say you probably would have been first on Luna, if the Russians hadn’t landed Bergovol. Nobody would blame you if you stayed home this time.”

The Professor glanced at his wife, then shook his head. “No,” he said. “I was in this at the start. I’m staying through to the finish, whatever may come.” He gave a wistful smile. “I’m yesterday’s hero, like Jason from the old story. You must know how it ends. That is what I would be if I stayed home. If I wasn’t out here, I would be either making trouble or doing nothing. They let me come because they know that. Who knows? I just might find a place I can rest.”

 

Jason was silent and pensive when they returned to Alek’s quarters. “What is it?” Alek said. She stepped in front of him, and scowled when he evaded her gaze. “What? Are you unhappy I have more money than you?”

“No,” he said instinctively. “I mean… all right, maybe. Just not like that. I’ve just been thinking, we’re different. I mean, literally, we’re from different planets. It hasn’t mattered out here, but when we go back? Where would we even go to?”

Alek smiled and kissed him. “You already told me,” she said, “don’t worry. Home is where you are, when I am with you.”

Jason opened a storage closet and pulled out a knapsack of gear. In his absent-mindedness, he knocked over a box half-buried at the bottom. The lid came open. He flinched as a triple-curved flame dagger went skittering across the floor. It was followed by a cascade of leaflets.

“It must be Moxon’s,” Alek said in her flat voice. “Put it back.”

“I am,” Jason said. He used a rag to pick up the dagger by its sine-curve blade. It was spotted with rusted, despite evidence of reasonably frequent care. When he tapped the grip against the floor, there was an audible rattle. “It’s just plain junk,” he mused. “Why do you think he would carry it all this way? He already has that silly knuckle thing, and leastways, it’s made well enough…” He looked up and found Alek shaking her head.

“I know what it is,” she said. “Put it back.” Before he could act, she took the blade from him and slid it into a side compartment. She turned the box upright. She closed a small, narrow box that held a selection of medals, then fitted it neatly over the compartment. She turned her head, to find Jason examining the pamphlets. He held up a single-sheet item the size of a large postcard. It showed a little, brown bespectacled man hanging on a cross, with an expression of patient endurance. The arms of the cross were labeled “Pakistan” and “Indo-Burma” in English. A sign at the top read, “United Hindustan”. The title above declared unnecessarily, “WHAT PRICE?”

Alek took it from his hand with a sigh, and began gathering the others. “They are nationalist propaganda,” she said. “They are illegal, most places. In the enlightened lands, there are usually no penalties for possession. Moxon would have been required to read them when he was in the Strato Corps, many more than this. I suppose these are ones he save.”

She allowed him to look at several more. Most were in English, rarely good. One of the more eloquent showed a moreno in a rocket ship labeled “Separationist”, lowering a rope to his fellows who looked upward from the ground. It was inspiring at a glance, until one noticed that the rope ended in a noose. “They are in English, usually,” Alek confirmed. “It is because many of the separatists never learned each other’s languages.”

She laughed at another in Cyrillic script, addressed to the Jugoslavs. Its crude yet dynamic illustration showed their union as something like a winged jackelope, warily sniffing a carrot held out in the nearly immobile limb of an even more jumbled chimera that was the Federation. “That is Junius,” she said, pointing to a scrawled signature. “The name is for an Englishman who wrote against their king. All it means is, nobody never know who is he. Lots of people try to find him. Quite a few try to be him. The real one, they never came close.”

She closed the box and returned it to the locker. “I know, I look, once,” she said. “He knew I would. He don’t no care, or he would no leave it here.” She led him to bed, where they flopped down together.

“You must be powerful, back on Earth,” Jason said. “Leastways, you could be. You know that. So why did you write to me?”

“Because,” she said, “you were the one person who wouldn’t care.” Then, for a while, they were silent.